It’s 1866, and the Civil War has ended. Madison Hemings, son of Thomas Jefferson and Sally Hemings, and Israel Jefferson, formerly enslaved footman, return to Monticello in search of Israel’s long-lost brother. Together, they must face their conflicting feelings about the man who wrote “All men are created equal.” Slavery has been abolished, but what really has changed? From what personal bonds do we need to break free? And where do we need to hold on tight? Don’t miss this gripping world premiere about history, family, and hard truths.
Objects in the Mirror named one of six finalists for the 2018 American Theatre Critics Association’s Steinberg Award
Established in 1977, the Harold and Mimi Steinberg/American Theatre Critics Association New Play Award recognizes playwrights for the best scripts that premiered professionally outside New York City during 2017.
According to the American Theatre Critics Association, Objects in the Mirror “compellingly takes us into the mindset of the masses of refugees fleeing wars and other violence and their struggle against great odds to survive and escape.” It’s about both “the price of immigration, and the importance of identity, with a second act that feeds on the first act in clever ways but takes us in a new direction.” “I was also moved,” said one panelist, “by the identity crisis at the heart of the play—the hunger to reclaim a self and name that no longer belong to you.” It conveys “a great deal about how worlds apart people can be, how different their ideas of how to help.”
Objects in the Mirror premiered at Chicago’s Goodman Theatre in 2017.